"And I'd always say to myself, 'I've just gotta take the right one and then production will use it' and I was like, 'Oh wait, that's the exact same thing that's happening in real world.' You're taking a photo and seeing if it has value and so that became addictive." "I was always taking photos during filming and checking in to see if production could use some," remembers Ramirez.
#FUN PAPARAZZI GAMES FULL#
It was exciting to experience that, and it was a big 'woah' moment for me because I was like, 'Oh damn, I've got full way around this thing'. There is an instant dopamine response when you get that photo. Getting that photo is like a hunt and so, outside of the financial element, which I think is very important, there was also something about the adrenaline of it. "When we were shooting I realized, 'There is a rush to this'. "I never really put into consideration before this that there's the good and the bad side." "At the end of the day, when you create a system, there's always gonna be people that fill those spots because, if you put a monetary value on anything, someone's going to find a way to make a career from that," argues Ramirez. "We both watched this documentary called 'Smash His Camera', and it was really eye-opening to see this guy, who was one of the biggest paparazzi actually capture so much, and be a historian in a way. "We got to know the profession as a craft," Ramirez recalls.
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